Museum Environments

Focusing Efforts on a Big Idea: When visitors walk into a gallery they should be greeted by a large exhibit element that creates a memorable moment. It must have visual impact, communicate the exhibit’s most important take-away message, and be experiential. If you follow this design approach it will prioritize your design efforts and increase your chances of creating an effective exhibit under a tight budget. Throwing sizable parts of the budget at many different elements produces a weak overall effect. The big idea approach grounds the exhibit experience: the rest of the items in the show are complementary. The big idea approach is about creating a powerful experience for visitors while prioritizing decisions about design and clarifying decisions about budget.

Reusable Panels Instead of Building Walls. Using reusable panels presents savings in the long-term. Initially they may cost more than building a wall of studs and drywall, but since they may be reconfigured and used again they provide substantial savings if used over multiple exhibits. Products such as Mila-Wall cost around $800 for a 1 x 2.5 meter panel. That is more expensive than drywall, but if you use them more than three times then the investment is worthwhile. The panels make installation a lot easier; they won’t damage floors and may also present savings in labor. Mila-Wall is one of the better options but there are many products. The temporary “look” is part of the product’s nature. Clever layout and painting can help integrate it into the gallery and make it look less like exhibit furniture.

Lighting Design with LED Bulbs: A room’s design can be either exalted or undermined by its lighting design. If you do not have a lighting designer my rule of thumb is to light objects and panels—not the room. The reflected light is often enough to illuminate the room. Only when the room is special—as in a historical building—does it deserve lighting. In those cases the room is part of the exhibit. Thoughtful lighting choreographs the visitor’s attention, provides order to the exhibit and gives ambience to the room. In terms of hardware, we strongly recommend using LED bulbs. They have dropped dramatically in price. They now also offer range of lighting qualities and produce a lot less heat and almost no UV radiation, which is beneficial for the preservation of delicate artifacts.

Graphic Fabrics: At around $9 per square foot, custom printed fabrics are a very affordable and attractive way to divide a room. They are also the fastest and easiest way to create visual, spatial and atmospheric effects. Companies that make scrims for theater shows often print and sew graphic curtains for gallery spaces. You can print all types of images yourself, and depending on the fabric you can often print typography at a good resolution. Fabric curtains can also create curved shapes, which would be prohibitively expensive with other materials.

Sustainable Design vs. Cost: It is difficult to be green on a tight budget, but there are some choices that are possible. All major paint brands now have VOC-free paints. They are more expensive than regular paints but have come down in price since first entering the market. With exhibit graphics it is fairly easy to find printing on recyclable materials for a reasonable price—but that does not mean the process to make the material was ecological. It is only sustainable at post-consumption. Check for the FSC or SFI seal (Forest Stewardship Council and Sustainable Forestry Initiative, respectively), to be sure it was produced in a responsible way. For more information on sustainable exhibit tips please visit Sustainable Exhibit Design. (https://museumenvironments.com/sustainabledesign) Another helpful site is Green Printers. They print products such as brochures and postcards and practice high ecological standards.

(https://www.greenerprinter.com/products/standard-business-cards).

Fabricating Cheaper Cases: The least expensive way to fabricate a case is to use a five-sided Plexi cube attached to a wood base or panel. Most millworkers can easily fabricate such a simple case. If your artifacts require more robust environmental protection then a designer is needed to specify the fabrication. Small Corp is a fabricator of good casework at a reasonable price. (They are actually the case fabricator supplying the Display2Go and Gaylord brand of museum supplies. They are not as fancy as the German and Italian case fabricators but they offer quality for a fraction of the price.)

Options in Digital Technology: Hiring a software developer can be very expensive. There are however many new apps on the market that can get specific jobs done. For example if you wish to show audio or video on an iPad kiosk you can use Kiosk Pro (http://www.kioskproapp.com/tour). For creating a timeline there is Capzles and TimeGlider. And if you want to have a scavenger hunt on a mobile device, ActionBound is a great app. There are even many alternatives for building a website, such as WordPress templates, that do not require any programming. To work with these apps and templates there is still a learning-curve, similar to learning a new piece of software. Nevertheless the skill sets of your museum staff will probably suffice. You may need a graphic designer to visually edit the images that are placed in apps and templates in order to make a more handsome product. Our recommendation regarding spending on digital media is to first see if there is an app for your need before considering programming.

LED Projectors and Painted Projection Screen: The price of projectors has dropped substantially. Most importantly, LED projectors are available for under $1000. Because they have a long bulb life they represent the biggest savings. In an exhibit environment, projections are on all day and their bulbs burn out quickly. LED bulbs last longer than any other. The least expensive way to make a projection screen is to paint one on the wall using “Paint on Screen” or similar products. The next is to make a hanging screen with projection screen material. These may be hung like a banner with rods at the top and bottom. Carl’s Place (http://www.carlofet.com/projector-screen-material.html )and Grafix Plastic are two good providers of projection screen material.

Iconic Selfie Moment: The general idea behind this tip is to create an inexpensive experience for visitors and to help promote the exhibit on social media The exhibit design should provide stages for visitors to take (and share) selfies. The “big idea” mentioned above often plays this role. Any space used this way should be designed to frame an interesting picture for the visitor. It should also be intelligently designed so that it communicates a consistent curatorial message. In addition to the social media marketing benefits, the selfie stage also counts as an experience (especially for young audiences). There is no need to create an expensive immersive environment to be experiential. The selfie is the experience.

Use Local Artists and Artisans: If the curator deems it fitting, commissioning local artists and craftsmen can provide results that are visually endearing and potently authentic. They are generally very willing to collaborate with museums because of the exposure it represents. Their work will have a high cultural value for the community the museum serves. But be careful in your choice: their visual statement must work with the rest of the exhibit. If it does, you should see great aesthetic impact for the investment. An artist mural will be more powerful and get more attention from the press and social media than the typical photomurals one sees in exhibits.

This list is a perennial work in progress and we will update it periodically. New ideas on making exhibits more affordably arise every day. New technologies get less expensive, allowing us to do things we would not consider before. So please follow us and we will keep you updated. Also feel free to share tips and we will credit you as a contributor.