Knowing Nature: Stories of the Boreal Forest

Museum Environment (ME) assisted Smithsonian Institutions Traveling Exhibition Services with the design of an in-progress project. We quickly adapted our design contributions to the existing exhibit goals. Our solution focused on reducing means of production to make the project feasible and, in turn, more sustainable. We avoided plastics by using direct-to-medium printing. This method provided a graphic look aligned with the exhibit's message of an ecologically sound future.

Knowing Nature weaves together themes of climate change, Indigenous perspectives, and the relationship between people and nature while taking audiences on a learning journey that starts with curiosity, builds empathy, and leads to action. Visitors will experience the sights, sounds, and textures of the boreal forest within the exhibition's immersive experience while also hearing firsthand from the Indigenous peoples of the boreal how knowing nature can offer a vision for a sustainable future. Knowing Nature offers stories of resilience, strength, and hope in a changing world.

  • 2,000 square feet, turnkey exhibition including all hardware and media software
  • 6 free-standing graphic structures
  • 21 graphic wall panels
  • 11 objects including scientific materials and Indigenous artworks

Exhibit Producer: Smithsonian Exhibits
Curators: SITES

Central module with an immersive boreal forest experience in its interior. Hidden speakers provide a soundscape with sounds from the forest. The goal was to create a multigenerational interactives and touchable objects

Museum of Chinese in America/Food Exhibit

Chinese Food exhibit

Sour, Sweet, Bitter, Spicy; Stories of Chinese Food and Identity in America weaves together complex stories through a dynamic video installation featuring pioneering chefs, and banquet setting created but notable contemporary Chinese-American ceramist. Museum Environments worked with curator Herb Tam and exhibit developer Andrew Rabatta to produce a truly innovative exhibit format. The combination of elements has a welcoming poetic effect of a grand table along with heartfelt and informative stories of food in cultural life.

Table design with artist ceramics

Big Idea: The curator Herb Tam had the brilliant idea of creating a large banquet table and populating it with ceramics representative of the different regional Chinese cuisines. The execution of the concept followed through on the welcoming character of the big idea. The message was that regardless of your prior knowledge and cultural background your are welcomed at the table. 

Engagement with content

Engagement: An institution’s relationship with the visitor is at the core of its mission. Exhibits are conversations with the audience that forge this relationship. The design strategy for the exhibit was to provide different means of communicating the content and establishing the conversations with each other sitting at the same table. 

Storytelling: The exhibit is not just about food but the stories of the chef's inspirations and challenges. Apart from the video interviews on the walls, booklets display biographical content along with a map of their journey. 

Table display

Co-Creating the exhibit with artist: The ceramic food sculptures, created by artists Lu Zhang and Heidi Lau, represent a traditional Chinese banquet. In creating a visual representation of each region, the artists were strongly influenced by the area’s climate, landscape, and built environment, as well as its effects on raw ingredients and taste.

Exhibit's Graphic Identity: A consistent graphic identity was created for the exhibit throughout all communication material. We preserved the bilingual typographical lock-up at all levels of the design, from exterior banners to title walls and brochures.

Press reviews of the exhibit

The Paris Review: 

Sour, Sweet, Bitter, Spicy

The Food and Wine Magazine: http://www.foodandwine.com/blogs/museum-chinese-america-cooks-something-special

The Personal Stories of Chefs, Ceramics and Chinese Food in America at MOCA’s “Sweet Sour Bitter Spicy” Show

Press Coverage of Museum Environments’ Latest Project for the Smithsonian Latino Center Gallery

The Smithsonian Latino Center’s first gallery space, the Molina Family Latino Gallery, will be dedicated to celebrating the U.S. Latino experience and open at the Smithsonian’s National Museum of American History in 2021. The gallery, designed by Museum Environments/Branded Environments LLC, will feature 4,500 square feet of bilingual stories for all audiences. Rotating exhibitions featuring multimedia activities, objects and first-person narratives will be complemented by participatory experiences and viewer-generated content.* Smithsonian New Release

NBC News link

A California family's donation leads to the Smithsonian's first permanent Latino gallery

Washington Post link

New gallery will be first in a Smithsonian museum to focus on U.S. Latino experience

Concept design sketch of the entrance experience

El Foro (The Forum) Interactive Oral History space

The "Making Home" exhibit concept design sketch